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Music Director Juraj Valčuha leads Brahms’s extraordinary A German Requiem. Written during a time of personal grief for Brahms, the Requiem offers music of time-altering beauty as a balm of comfort, peace, and uplifting hope to those experiencing grief and loss. The concerts open with Tōru Takemitsu’s emotionally powerful Requiem for strings.

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Takemitsu + Brahms’s Requiem

Jones Hall

This holiday season, think outside the Messiah and inside the Bach. The Orchestra of St. Luke’s presents the Christmas Oratorio under the baton of Principal Conductor Bernard Labadie, who brings to the evening not only his historical performance expertise, but his superb singers of La Chapelle de Québec. Bach’s festive oratorio features his famously demanding but stunning arias, sung by Lauren Snouffer, Avery Amereau, Andrew Haji, and Joshua Hopkins, reflective and moving chorales, and grand chorus movements with a royal complement of trumpets and timpani for a truly uplifting evening.

Bach’s Christmas Oratorio

Carnegie Hall

This holiday season, experience the magic of Bach as Orchestra of St. Luke’s presents the Christmas Oratorio under the baton of Principal Conductor Bernard Labadie.

Nothing says “Christmas in New York” like hearing our city’s beloved Orchestra of St. Luke’s perform J. S. Bach’s Christmas Oratorio at Carnegie Hall. Hearing this joyful, soaring work during the holiday season is an experience celebrated by generations. Join us in the comfort and elegance of Stern Auditorium / Perelman Stage as Bernard Labadie conducts the orchestra and the lush La Chapelle de Québec with soloists.

Orchestra of St. Luke’s

Mahler’s Fourth Symphony paints an uplifting picture of earthly afterlife, a child’s vison of heaven as a place filled with earthly delights and tuneful melodies. Here it is paired with a new work by composer Betsy Jolas, commissioned specifically as a companion piece to the Mahler symphony.

Mahler's Fourth Symphony

Severance Music Center

Rising young composer Gabriella Smith conjure the spaces and sounds of California, responding to landscapes both urban and rural, geographical and metaphysical. Igor Stravinsky depicts a festive, folk-inflected Slavic wedding in his ballet Les Noces, augmented by Steven Stucky’s orchestration and artist Hillary Leben's vivid new animated shorts. Stravinsky’s Octet for Winds and Brass, a uniquely scored neoclassical work, was inspired by a late-night dream.

California Festival: From the Edge

Davies Symphony Hall

Two inventive singers unite at the Scottish Rite Temple to close the 10th Anniversary of Festival of Song: Lauren Snouffer and Rolando Villazón. Lauren Snouffer, one of the most versatile and respected sopranos on the international stage, will open the Santa Fe Opera’s Orfeo as La Musica. We also welcome the production’s Orfeo, legendary tenor and Renaissance man Rolando Villazón, praised the world over as “the most charming of today’s divos” (The Times). Join us for the final Festival of Song and celebrate the voices of these critically acclaimed artists.

10th Anniversary of Festival of Song: Lauren Snouffer and Rolando Villazón

Scottish Rite Temple

Legendary lovers, Orfeo and Euridice, face death and separation. They undertake a perilous journey from the underworld back to the world of the living. One rule must be followed: Orfeo cannot look at Euridice. His conviction falters, he turns …

This visually breath-taking new production will be directed by MacArthur Prize Winner Yuval Sharon. Starring tenor Rolando Villazón and featuring a new orchestration by Nico Muhly.

Orfeo

Santa Fe Opera

Mahler called his Eighth Symphony, “the biggest thing that I have ever done…in which the most beautiful instrument in the world is given its true place.” Music Director Laureate James Conlon concludes the 150th May Festival with a work of gigantic proportions—music of triumph and transcendence that celebrates the power of the human voice, featuring the sounds of the Chorus and the CSO in the breathtaking space of Music Hall.

Mahler's Symphony of a Thousand

Cincinnati Music Hall

A delightful musical romp, Handel’s Clori, Tirsi e Fileno includes spectacular arias that the composer later borrowed for his Italian operas. A cast of young operatic stars, all singing en travesti as the opposite gender, brings a new twist to this timeless story of a wily shepherdess and her two suitors.

Clori, Tirsi, e Fileno

Hobby Center for the Performing Arts

Meet King Xerxes

He’s the most powerful man in Persia, so why can’t he get Romilda to marry him? The sensational American countertenor Key’mon Murrah stars in Handel’s tongue-in-cheek 1738 masterpiece about love and the limits of power. Dame Jane Glover conducts, in Tazewell Thompson’s vivid, color-soaked production.

Xerxes

Detroit Opera House

The San Francisco Symphony writes: George Frideric Handel’s Messiah was an instant classic soon after its 1742 premiere and has been a holiday tradition around the world ever since. Through a dramatic series of arias, recitatives, and choruses, Handel offers a musical meditation on Christ’s birth, life, and resurrection—and his message of redemption. Masaaki Suzuki leads the SF Symphony and Chorus in this perennial favorite. 

Handel's Messiah

Composer, conductor, and creative thinker John Adams occupies a unique position in the world of music. His works stand out among contemporary classical compositions for their depth of expression, brilliance of sound, and the profoundly humanist nature of their themes. For his oratorio El Niño, Adams imagines a modern-day miracle, retelling the story of the Messiah through a constellation of references from medieval chant to contemporary Latin American poetry. “John Adams's nativity oratorio is a winner, a very palpable hit — an intelligent, emotional and sometimes magical re-telling of the old, old story from a new perspective” (BBC).

El Niño

The 2022–2023 Long Center Season opens in November with Rossini’s The Barber of Seville, a witty tale of bribery, deception, disguise, and of course, true love. With all the essential components of the best comic operas, Barber drops us into a forbidden love story between the rich-nobleman-disguised-as-poor-student Count Almaviva and the vivacious-but-orphaned Rosina, as they try to work out how to escape from the grasping hands of her cantankerous guardian, Dr. Bartolo. To solve the problem, in steps the wiliest of sidekicks, local barber and handyman Figaro, who plots and schemes with the young couple to make sure that true love triumphs in the end, though only after numerous mischievous escapades and near-misses.

The Barber of Seville

Austin PBS Media Center

Some pieces of music are so stirring, so electrifying that audiences are transfixed by their inherent emotional power. Mahler’s passionate and tempestuous Second Symphony – about humanity’s search for meaning in life and death — is such a work. Composed for a massive orchestra, choir, and soloists, it is riveting from its darkly ferocious opening to its exhilarating, ecstatic finale.

Mahler's Resurrection

The first concert of our OSU residency, conducted by Music Director Jaap van Zweden, features one of Wagner’s most stirring preludes, as well as Beethoven’s Ninth Symphony, with the NY Phil joined by OSU Greenwood School of Music Chorus in the finale’s triumphant song of joy and unity.

Lauren Snouffer

Soprano

Events

19 - 21 Jan, 2024

Takemitsu + Brahms’s Requiem · Houston Symphony

Dec 7, 2023

Bach’s Christmas Oratorio · Orchestra of St. Luke's

Dec 7, 2023

Bach’s Christmas Oratorio · Orchestra of St. Luke’s

Dec 7, 2023

Orchestra of St. Luke’s · Carnegie Hall

Nov 30 - Dec 2, 2023

Mahler's Fourth Symphony · The Cleveland Orchestra

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