Conductor

The sweeping passion and drama of opera come to vivid life on the stage of Severance Music Center. Grammy-winning soprano Latonia Moore, tenor Brandon Jovanovich, the Blossom Festival Chorus, and conductor John Fiore present an evening of operatic highlights, including the beloved “Nessun dorma” from Puccini’s Turandot, the rousing “Anvil Chorus” from Verdi’s Il trovatore, and much more.

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A Night at the Opera

Severance Music Center

A Japanese girl sacrifices her heritage for the American dream when a naval officer chooses her for his bride. Her dream is crushed by betrayal when he traps her in the very cage she wishes to escape. She seizes her destiny, and the devastating outcome lingers long after the final note.

Madama Butterfly

The Santa Fe Opera

Aida is a slave at the Egyptian court. She is the king’s daughter from the enemy country of Ethiopia but has fallen in love with the Egyptian military leader Radamès. Her father Amonasro uses her to learn about the military strategy of his adversaries. Meanwhile, Amneris, the Egyptian king’s daughter, uses everything in her power to fight for her love for Radamès and tries to kill her rival. Everyone is at the mercy of a ruthless cartel of priests and warriors.

Aida

Bebelplatz

Umberto Giordano’s FEDORA swings between whodunnit and the world of political intrigue, at once a tragic love story and a riveting psychogram. The opera was based on the play of the same name by Victorien Sardou, a French playwright who had already provided the source material for Puccini’s TOSCA. The triumphant world premiere of FEDORA in 1898 at the Tetro Lirico in Milan went down in history for featuring the break-out performance of the legendary tenor Enrico Caruso, who established its best-known aria, “Amor ti vieta”, in the collective memory of the world’s operagoers. That first production went on to huge international acclaim, touring Vienna, Paris, Hamburg and the New York MET. Giordano’s best received work after ANDREA CHÉNIER, FEDORA continues to thrill audiences with its musical richness and iconic melodies as it goes about depicting a fin-de-siécle elite whose private issues become entangled with political wheeling and dealing.

Fedora

Deutsche Oper Berlin

The celebrated singer Tosca lives only for art, until political intrigue suddenly disturbs her life and that of her lover, the painter Cavaradossi: When Cavaradossi hides the political refugee Angelotti, he is targeted by the unscrupulous police chief Scarpia, who has long had his eye on Tosca. To save Cavaradossi, Tosca not only has to betray Angelotti, but also give herself to Scarpia. Premiered in 1900, Puccini’s »Tosca« is practically unique in its close interweaving of political power and personal passions. The German premiere of this opera about love, jealousy, betrayal and tyranny was held in Dresden in 1902. Director Johannes Schaaf has found a timeless narrative style for his staging.

Tosca

Semperoper Dresden

Rigoletto is a court jester with sharp wit and a merciless tongue. By cruelly mocking a grieving father, he sets in motion a tragic lesson in poetic justice. Featuring iconic arias like “Caro nome” and “La donna è mobile,” Verdi’s masterpiece sees Rigoletto become intimately familiar with the dangers of careless love, misguided vengeance, and the inescapable lesson that, under no circumstances, can you fool fate.

Rigoletto

Cincinnati Music Hall

The Dutchman is a cursed man, an outsider, a driven individual. Richard Wagner came upon the character of the famous drifter via Heinrich Heine, who lent the Romantic material his typically ironic touch. Wagner’s interest was tweaked not by Heine’s packaging of the story, which relegated the Dutchman-based action to the margins, but by the tale of the enigmatic mariner, which led to him writing his first opera about the man’s quest for a woman who could offer him redemption. The Dutchman, restlessly plying the borderlands between life and death, encounters Senta, who appears equally ill-at-ease and rootless and yearns for a masculine character, the Dutchman, a figment of her imagination.

The Flying Dutchman

In the fairytale forest, we encounter the familiar figures of the poor siblings who have lost their way as well as the Gingerbread Witch. The story comes to a head in the famous edible house, which is sweet on the outside but a death trap within. In 1893 Engelbert Humperdinck transformed the tale by the Brothers Grimm into a work which is probably the most famous fairy-tale opera in the repertoire.

Hansel and Gretel

The sea already sounds whipped up in the overture of the opera "The Wreckers" - after all, people here live off what the sea washes ashore after a storm. Tirrenio also comes from the sea to fool the ball guests with his nymphs in Henze's ballet "Undine" - with a colorful and virtuoso divertissement.

On the Saving Shore

Meistersingerhalle

Repelled by the dispassion of the Wartburg society of minnesingers, Tannhäuser, a singer-knight, removes to the interior of the Venusberg in search of fulfilment. Eventually his longing for Elisabeth leads him to leave again. Back at the Wartburg castle, Tannhäuser takes part in a singing contest whose theme is the nature of love, but when he sings that love is ideally about sensual satisfaction, he is cast out and sent to Rome to seek papal absolution. He returns from Rome without the hoped-for indulgence and resolves to return to the Venusberg. Then a miracle occurs and he finds redemption after all.

Tannhäuser and the Singers' Contest at Wartburg

Sparkling irony combined with sparkling champagne mood to the sounds of waltzes.

Conductor

John Fiore

Events

Past events

Aug 13, 2026

A Night at the Opera · The Cleveland Orchestra

Jul 3 - Aug 29, 2026

Madama Butterfly · Santa Fe Opera

Future and recently performed repertoire

Conductor in Madama Butterfly by Puccini

Santa Fe Opera

Conductor in Fedora by Giordano

Deutsche Oper Berlin

Conductor in Tannhäuser by Wagner

Deutsche Oper Berlin

Conductor in Rigoletto by Verdi

Cincinnati Opera

Conductor in Hansel and Gretel by Humperdinck

Semperoper Dresden

Conductor in The Flying Dutchman by Wagner

Deutsche Oper Berlin

Conductor in Tosca by Puccini

Semperoper Dresden

Conductor in Symphony No. 5 by Tchaikovsky

Staatsphilharmonie Nürnberg

Conductor in The Wreckers by Smyth

Staatsphilharmonie Nürnberg

Conductor in Die Fledermaus by Strauss

Semperoper Dresden

Conductor in Peter Grimes by Britten

Staatsphilharmonie Nürnberg

Conductor in Aida by Verdi

Staatsoper Berlin

Conductor in Jeux des Tritons by Henze

Staatsphilharmonie Nürnberg

About

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