A Tsar, wanting to have his photograph taken has no idea he’s surrounded by conspirator’s planning his assassination. And a young woman, who can outsmart anybody – even a King.

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The Tsar wants his Photograph taken / The Clever Woman

Oper Frankfurt

While Syracuse is arming for war against the Sarazans, the King’s daughter Amenaide is charged with high treason for writing a letter to Solamir, leader of the Sarazans, professing her love. Just before her execution Tancredi, a knight banished from Syracuse, and Amenaide’s secret lover, returns, incognito. The letter was intended for him. Although he saves her from being executed, he starts doubting her fidelity. War with the Sarazans looms closer, and Tancredi’s to lead his people into the decisive battle.

Tancredi

The inspiration for Fortner’s opera resembles an ancient Greek tragedy. The Spanish poet Garcia Lorca took up an all too familiar tale for his play Blood Wedding, which was first performed in 1933. His vitriol aimed at the uncompromising nature of blood feuds: a bridegroom’s mother lost her husband and oldest son in fights between the two clans and now fears for her youngest son’s life. She’s worried his wedding will reignite the war, because the bride still loves her former beloved Leonardo, a member of the enemy family. Leonardo abducts her during the wedding. They escape into the woods, but are caught. Two scores are settled: both rivals die in a duel.

Blood Wedding

Who are we, who do we want to be? How far will longing for more power, wealth and a more elevated position in society make peope go? Triggered by a curious encounter, which he thinks is a prophesy, Macbeth’s wife goads him into murdering King Duncan. The throne falls to him, but remorse and hallucinations throw him deeper and deeper into turmoil, while Lady Macbeth urges him to carry out more atrocious deeds. But her feelings of guilt ending up destroying her too. R.B. Schlather’s production traces the extraordinary actuality of the protagonists, just as Verdi was fascinated by Shakespeare’s King and Queen. The Director studied the gruesome events surrounding a childless couple in an elegant but cheerless atmosphere of an imposing residence: global politics mirrored in private lives. In the end the oppressed put a violent end to the Macbeth’s autocratic regime.

Macbeth

Podcast link: https://www.youtube.com/watch?v=XZ_ZQW5C2pw&amp;t=2s

The Artelize Podcast Presenting Will Shutes: 'Bring it down out of the clouds to human being level'

Podcast link: https://www.youtube.com/watch?v=PFe6mW6x9pc

The Artelize Podcast: 'Amplifying What Makes Us Human'. A conversation with Zuly E. Inirio

Podcast link: https://youtu.be/4hagYvrYbuM

The Artelize Podcast and Kasper Holten - Pedefining Opera for the modern world

Podcast link: https://www.youtube.com/watch?v=d36M5Hi6O80

The Artelize Podcast - A legacy of innovation in Opera: Celebrating Marc A. Scorca

Turandot refuses to marry by setting an impossible condition: Whoever wants her for his wife must solve three riddles. Anyone who can’t, is publicly executed. Prince Calaf, a refugee stranded in Peking, falls hopelessly under Turandot’s spell. The Princess is shaken to the core when he manages to answer all three. Turandot unleashes a clear struggle for power, which ultimately claims innocent victims.

Turandot

There's trouble in the Spanish city of Seville! Count Almaviva has seen the beautiful Rosina out for a walk! He wants to meet her! But her guardian, the cunning Dottore Bartolo, is causing trouble. He wants to marry the beautiful Rosina himself, for the money! Who can help? The barber - a hairdresser who knows all the tricks of the trade! They lie and cheat, they disguise themselves and trick the police, they escape on a ladder, there are sword fights and completely botched love arias... Luckily, the children help the Count to marry his Rosina after all, and Dottore Bartolo has to look down the tube... (Frankfurter Museums-Gesellschaft e.V.)

The Barber of Seville

Alte Oper

Julies Massenet’s much loved opera Werther moves between ecstasy and resignation, dream and reality, sensual desire and the longing for death. Central to this feverish drama, based on Goethe‘s 1774 epistolary novel, are Werther and his impossible love for Charlotte, who promised her dying mother to marry dependable Albert. Charlotte repeatedly turns Werther down, although she shares his feelings. It ends with Werther taking his life on Christmas Eve.

Werther

Richard Wagner revolutionised music with his version of theTristan story, popular since the Middle Ages. His opening Tristan chord paved the way for modern music and encapsulates the core of this tragic love story – an insatiable longing, ceaselessly striving for relief. »Only in the face of death are the lovers able to give themselves unrestrainedly to each other«, said Katharina Thoma, focussing on the subconscious, their past lives, loss and the meaning for life of both protagonists. She explores the reasons for loneliness, which go beyond societal difficulties and external influences in Johannes Leiacker’s clear, focussed space.

Tristan und Isolde

A wealthy man wants to immortalise his life and success in an illustrated book, which confronts him with an uncomfortable reality.

Written on Skin

The relationship between Cio-Cio-San, called »Butterfly«, and US American marine officer Benjamin F. Pinkerton begins as a proforma wedding – with unexpected consequences: the young Japanese woman cuts herself off from her family, hoping to leave her impoverished origins behind; Pinkerton, on the other hand, despite his overwhelming desires, doesn’t feel committed to this »provisional marriage«. When he’s ordered home Cio-Cio-San’s left behind, expecting his baby. She waits unwaveringly for his return; her only rock is her faithful servant Suzuki. But when Pinkerton’s ship re-docks in Nagasaki, the illusion shatters: He married another woman in America. When Butterfly realises they intend to take her child as well, she sees no other way out; she commits ritual suicide, as her father before her. Doing away with superficial clichés, the director R.B. Schlather focuses on the human tragedy, for which Puccini, Master of Melody found such heart-rending music.

Madama Butterfly

Introductory talks (in German) in the Holzfoyer 30 minutes before curtain up, available here shortly after opening night and everywhere where podcasts are to be found.

Amor vien dal destino

»If I survived, and others didn’t, then it was probably to attest to what Auschwitz was.« Said Zofia Posmysz, explaining why she wrote her novel The (female) Passenger. Polish composer Mieczyslaw Weinberg, who suffered under the brutality of the SS as well as Stalin’s reign of terror, found a guardian and supporter in Dmitri Shostakovich. It was he who suggested he turn Posmysz' novel into an opera. Director Anselm Weber and set designer Katja Haß cleverly managed to depict different times and places – present day and memories: A ship sailing to Brazil in the 1950s. Lisa and her husband Walter are on their way to start a new life when an encounter suddenly confronts Lisa with the past, when she was a KZ guard in Auschwitz. Is the other passenger a former prisoner, Marta? Lisa was convinced she had died but now stands face to face with her. Walter’s dumbfounded and fears for his future as a diplomat – he knew nothing of his wife’s past.

The (female) Passenger

She lives in the here and now, one of the best-known heroines in operatic history, she makes sergeant Don José lose his mind, throwing his life into confusion. His attempts to make her tow the line fail because she can’t be tied down. They gradually drive each other into corners. Bizet’s music brings the differences in their perceptions of love and relationships into contrast again and again: Their downfall starts with light-hearted operetta music, but ends in tragedy. Barrie Kosky’s production quickly achieved cult status after it blasted onto the stage in  2015, and has lost none of its impact, taking the most performed opera in the world back to its roots - Opéra comique. The story’s interspersed and told using concise texts, steering us towards its tragic end. En route, romantic, amusing moments and wonderful dance routines share the stage. Kosky’s vision is fascinating, toying masterfully with usual Carmen and Spanish clichés.

Carmen

Mozart and his librettist, and kindred spirit, Lorenzo da Ponte’s third opera revolves around six people. The lives of two couples are thrown into confusion in the space of 24 hours: Guglielmo and Ferrando are persuaded to make a bet with cynical Don Alfonso about their lovers’ Fiordiligi and Dorabella’s fidelity. Don Alfonso’s convinced that, with their maid Despina's help, he can prove both sisters are fickle. The young men dress up as foreigners, to seduce their best friend’s lovers. Feigned and real emotions start getting all mixed up. The »wrong« couples even celebrate a sham double wedding, before the sisters discover their husbands' true identities. All six draw seemingly happy and conciliatory conclusions, but the laughter sticks in their throats. Can things return to how they were? Which feelings were and are real anyway?

Così fan tutte

Elderly King Mitridate wants to marry again, but suspects his sons might dispute his right to his beloved Aspasia and the throne. He therefore spreads the rumour that he died in battle after being defeated by the Romans. Sure enough, his older son Farnace starts pressurising his father’s young intended bride to marry him. But Aspasia secretly loves Sifare, his younger brother, who she asks to protect her from Farnace’s advances. The King of Pontus, believed to be dead, returns in the company of Irene, whom Farnace once promised to marry. Everyone starts eyeing each up other suspiciously. Farnace, in league with the Romans, plots against his father while Sifare und Aspasia are torn between their love for one another and loyalty to Mitridate. Left at the mercy of the King’s jealousy, their desperation brings them close to death.

Mitridate, Re di Ponto

The last hours of the singer Flora Tosca and artist Mario Cavaradossi's passionate love: they couldn’t escape the vortex of power and violence. Their attempts to break free from the unscrupulous Police Chief Scarpia’s system were in vain. The strength in Puccini’s opera lies in striking portrayals of extreme emotions, violence, jealousy and persecution. The composer decided on this work while watching a performance of Victorien Sardou’s play, with Sarah Bernhardt as Tosca. His music lives in the keenly sketched characters, their outpourings contrasting with lyrical moments. Director Andreas Kriegenburg homed in on their private lives, while liberating the characters from clichés: they could be people of today, broken by a brutal police state. Strong visual effects and detailed portraits of the three key protagonists turn his production into a study of the abuse of power and resistance.

Tosca

Harrison Birtwistle’s opera ain’t for the fainthearted. A man throws a baby in the fire, stabs his wife Judy, searching for lovely Polly, who he wants to marry, carrying out further murders before he finally finds her. Benjamin Britten proposed the young composer Birtwistle for an opera commissioned by the Aldeburgh Festival, because »he’s got more to say than his contemporaries«.

Punch and Judy

Bockenheimer Depot

Jacques Offenbach carries us off to a world of bandits in his wonderful operetta. Falsacappa, their chief, is having trouble keeping his men’s moral up: recent forays raked in next to nothing. Now he’s planning an outrageous coup. Taking advantage of complicated events concerning an envoy from Granada, wanting to claim a debt from the court of Mantua, and sneaking into Mantua, is disguise, to swipe the money for themselves. The carabinieri, in their heavy boots, always arrive too late. But Falsacappa's gang ends up empty-handed: the Duke of Mantua's coffers are empty … criminal activity at court far outclasses the bandits’.

The Bandits

In his »erotic mystery/enigma« Otto Borngräber envisaged the first people driven out of paradise as a nuclear family left to their own devices: Chawa longs for her husband to want her as he used to, but Adahm’s more concerned about eking out an existence. Their pubescent son Kajin charges around in the wilderness looking for a woman, while his brother Chabel seeks redemption by praying to a God. When Kajin catches his mother and Chabel in ecstatic union, he kills his brother, then sees the »future blood of future mankind« in a terrifying vision.

The First People

A ruler wracked with guilt, power-greedy conspirators, a fickle people and a monk, who writes history, in the true sense of the word: Boris Godunov is crowned Tsar, to the delight of the people, after Dimitri, legitimate heir to the throne, was murdered. The monk Pimen naming the ruler as the murderer in his chronicles of Russian history inspires the novice Grigori to pass himself off as Dimitri, who escaped with his life after all, and lay claim to the throne, backed by ambitious Marina, Polish Voyevoda's daughter. While Boris struggles with ghosts of the past, the Boyars wonder how to get rid of the new usurper, but the »fake Dimitri« ends up being crowned Tsar.

Opera events in Frankfurt am Main

The Tsar wants his Photog...

Oper Frankfurt

Tancredi

Oper Frankfurt

Blood Wedding

Oper Frankfurt

Macbeth

Oper Frankfurt

The Artelize Podcast Pres...

Artelize

The Artelize Podcast: 'Am...

Artelize

The Artelize Podcast and ...

Artelize

The Artelize Podcast - A ...

Artelize

Turandot

Oper Frankfurt

The Barber of Seville

Alte Oper Frankfurt

Werther

Oper Frankfurt

Tristan und Isolde

Oper Frankfurt

Written on Skin

Oper Frankfurt

Madama Butterfly

Oper Frankfurt

Amor vien dal destino

Oper Frankfurt

The (female) Passenger

Oper Frankfurt

Carmen

Oper Frankfurt

Così fan tutte

Oper Frankfurt

Mitridate, Re di Ponto

Oper Frankfurt

Tosca

Oper Frankfurt

Punch and Judy

Oper Frankfurt

The Bandits

Oper Frankfurt

The First People

Oper Frankfurt

Boris Godunov

Oper Frankfurt