Be someone else for a night? It’s not just frustrated Rosalinde and her employee Adele, who would much rather have been an artist, who dream of it. Together with Gabriel von Eisenstein, who has just been sentenced to prison, and Dr. Falke, who is bent on revenge, they go to Prince Orlofsky's crazy ball. Here, of all places, all the masks drop. Austrian director Anna Bernreitner stages this most Viennese of all operettas in costumes by renowned fashion designer Arthur Arbesser. It’s an evening with champagne moods, missed opportunities, and the lightness inherent in darkness, musically directed by the Swiss conductor Lorenzo Viotti.

The Bat

Zurich Opera House

The composer Engelbert Humperdinck based his work on the most famous of all fairy tales. The operatic version of the story of the siblings Hänsel and Gretel, who lose their way in the forest and nearly fall victim to the Knusperhexe, or witch, has always inspired audiences. The music takes well-known folk melodies and combines them with large, shimmering soundscapes that move between dream and reality, and between fears and fantasies. Zurich-born director Thom Luz has received numerous awards for his theater work. With «Hansel and Gretel», he makes his long-awaited opera debut, and unleashes the poetic power of theatrical magic. Lithuanian conductor Giedrė Šlekytė musically directs.

Hansel and Gretel

War, flight, hatred and revenge characterize the grand portrait that Giuseppe Verdi created in «La forza del destino». Amid this unpredictable interplay of forces, Leonora and Alvaro search for each other, fight for their love, experience persecution, find refuge in faith, and are crushed by inexorable fate. Director Valentina Carrascothe Catalan, who was a member of the Catalan theater collective La Fura dels Baus, uses Verdi’s monumental scenes as an opportunity to question the values of war and peace in the 21st century, creating a dystopian fantasy. Anna Netrebko returns to Zurich as Leonora. General Music Director Gianandrea Noseda is on the podium.

The strength of destiny

The court of the Duke of Mantua is host to lavish parties. But in this society, having fun means humiliating and degrading others, and the most cynical joker of all is Rigoletto. He wants to protect his daughter Gilda from the corrupt world, so he locks her away. But the young woman goes her own way. Together with «Il trovatore» and «La traviata», «Rigoletto» cemented Verdi’s international fame as an opera composer. The opera is gripping theater in which all roles are ideally cast: from the king to the avenger, from the lover to the murderer.

Rigoletto

Podcast link: https://youtu.be/4hagYvrYbuM

The Artelize Podcast and Kasper Holten - Pedefining Opera for the modern world

Podcast link: https://www.youtube.com/watch?v=d36M5Hi6O80

The Artelize Podcast - A legacy of innovation in Opera: Celebrating Marc A. Scorca

Podcast link: https://www.youtube.com/watch?v=59E40S_EQSY

The Artelize Podcast: A love letter that was never sent

Podcast link: https://www.youtube.com/watch?v=THv6htilWtI

The Artelize Podcast and Adolfo Corrado: Mediterranean flavors, opera and social media

The «Japanese tragedy» by Giacomo Puccini shows how the American naval officer Pinkerton embraces Japanese culture, marrying Cio-Cio-San, a young geisha, for the duration of his stay. When he later returns with his «real» wife to take the child he had with Cio-Cio-San back to his homeland, the young woman is left with only one way out. With his ambitious composition, Puccini combined Eastern and Western motifs, producing one of his most successful operas at the start of the 20th century. Director Ted Huffman brings the opera to the stage in stunningly beautiful images and with great narrative tension.

Madama Butterfly

This opera’s 1875 premiere in Paris caused a scandal, after the title character’s anarchic nature and lustful femininity disturbed the bourgeois audience’s sensibilities. But Bizet’s opera soon began its triumphal march, becoming a myth of modern times. To this day, «Carmen» fascinates audiences with its relentless drama and the elemental power of its melodies. Andreas Homoki’s production pays homage to the place where the opera was created, the Opéra comique in Paris. 

Carmen

For Figaro and Susanna, it was supposed to be the most beautiful day of their lives: their wedding day. But their employer, Count Almaviva, who is equally in love with Susanna, does everything he can to delay the wedding. Twenty-four turbulent hours begin, in which the power of Eros throws every character in the play into confusing emotional states. Director Jan Philipp Gloger sets Mozart’s masterpiece in the present day, highlighting the way a supposedly irresistible man gets ensnared in a complex code of conduct designed to prevent abuse of power and sexual assault.

The Marriage of Figaro

Cardillac cannot part with his art. The jeweler must kill anyone who buys jewelry from him. E.T.A. Hoffmann’s novella «Das Fräulein von Scuderi», one of the first German detective stories, served as source material for Paul Hindemith. His 1926 opera is a milestone in the development of music theater. A century years after its premiere, theater and filmmaker Kornél Mundruczó stages this thriller about obsessions, control, and self-alienation. 

Cardillac

Olga Neuwirth is one of the outstanding composers of our time. Together with Nobel Prize winner Elfriede Jelinek, she is writing a new piece of music theater. They send two «vampires» – really avatars of themselves – on a journey around the world. They observe the decline of humanity while a tyrannical king and a self-conjuring sea monster fight for power.

Monster's Paradise

Seduction and intrigue: The romance between Cleopatra and Caesar during his conquest of Egypt is one of the most famous love affairs in the world. George Frideric Händel’s opera based on this story was a sensational success. The composer’s contemporaries declared it «beauty of all kinds in abundance». Even today, the magic of this music remains unbroken. In this Opéra de Monte-Carlo production, director Davide Livermore transfers the action to a luxurious cruise ship on the Nile. Cecilia Bartoli sings Cleopatra, one of her most thrilling roles.

Julius Caesar in Egypt

As in all episodes of Ovid’s «Metamorphoses», a transformation also takes place here: After he is slain by his rival, the giant Polifemo, Acis is transformed into a gushing spring by his lover, the water nymph Galatea. The love triangle ignited the imagination of numerous artists – including the 23-year-old Händel. His Serenata is a charming miniature opera full of musical discoveries that the composer used in later works. Philippe Jaroussky, a world-famous countertenor, has additionally made a name for himself as a conductor, and for the first time here leads the Orchestra La Scintilla.

Acis, Galatea and Polyphemus

Scylla lives withdrawn into herself, as if in emotional hibernation. Reason, peace, and harmony reign in her cosmos. When Glaucus enters her life, everything changes: She experiences love in all its colors and facets – and does not recognize herself. The opera describes all the lust, wildness, panic, and despair that the young woman experiences as she rediscovers the world for herself. In the end, she will be someone else. Jean-Marie Leclair's rarely performed only opera is a musical discovery. Director Claus Guth returns to Opernhaus Zürich with this new production.

Scylla and Glaucus

Although she is surrounded by many admirers, Arabella dreams only of the «right one». She finds him in Mandryka, the Croatian landowner. Opera history’s final idealized marriage of love was written on the precipice of disaster: The opera dates to a time of deep social insecurity. The operetta-like tone of Strauss’ «Lyrischer Komödie» is strangely fractured. When it premiered in Dresden in 1933, it was instrumentalized by the Nazis for propaganda purposes. 

Arabella

An attempted coup is uncovered, and his best friend is a conspirator – but Tito would rather renounce his office as ruler than base his power on fear and terror. «La clemenza di Tito» is a work that poses timeless questions about how to deal with power, and about guilt and forgiveness. Wolfgang Amadeus Mozart’s late opera seria contains some of his most beautiful arias and ensembles. Conductor Marc Minkowski returns to Opernhaus Zürich with this new production, as does Italian director Damiano Michieletto.

The clemency of Titus

Puccini’s one-act opera does not end with a tragic operatic death. The body of the rich Buoso Donati is already laid out when the curtain rises, his loudly lamenting relatives gathered around. But appearances can be deceiving. Puccini paints a family portrait of a shameless and greedy community of heirs. Even shrewd mastermind Gianni Schicchi is only out for himself. This lively ensemble piece is tailor-made for the members of the International Opera Studio. Up-and-coming director Lilli Fischer combines Puccini’s only comic opera with a newly developed prequel.

Gianni Schicchi

In order to free her husband Florestan, Leonore disguises herself as a male prison guard and sneaks into a prison. Beethoven’s only opera is infused with an unwavering belief in the power of hope. The powerful liberation music at the end anticipates the «Ode to Joy» from his Ninth Symphony. Andreas Homoki separates the plot from its bourgeois comic light opera context, focusing instead on the utopian idea of world brotherhood and the universal themes of humanity that Beethoven chose as his central focus. Klaus Florian Vogt, one of the most outstanding tenors of our time, will appear as Florestan.

Fidelio

«La Damnation de Faust» is one of Hector Berlioz's most revolutionary works, a dramatic journey to hell that is part opera, part oratorio. «I neither tried to translate Goethe’s masterpiece nor to imitate it, but simply let it work on me in an effort to grasp its musical content», the composer stated candidly. His multicolored music is imaginary theater, a journey into Faust’s interior, from which the devil Méphistophélès himself seems to emerge.

The Damnation of Faust

In the middle of his career, Giuseppe Verdi with «created one of his most diverse scores». Embedded in effective ensemble scenes that oscillate between operetta-like, mysterious oracular magic and dark conspiracy drama, Verdi focuses on the private fate of a politician: Riccardo, the governor of Boston, is in love with Amelia, the wife of his best friend and advisor Renato. When the two are discovered during a passionate nocturnal encounter, Renato joins the conspirators and discovers Riccardo's disguise at the masked ball.

A Masked Ball

The work of the piano tuner is indispensable for any concert or opera, but it takes place away from the public eye. As with so many things in life, the pursuit of perfect tuning inevitably leads to compromise, thanks to extenuating circumstances. Music theorist Andreas Werckmeister understood this already at the end of the 17th century, when he toiled to understand the pitfalls of mean-tone temperament, trying to bring structure to the chaos. Alongside Werckmeister's cryptic-philosophical texts, compositions from Schütz to Charles Ives form the starting point for this music theater creation by Swiss theater artist Thom Luz. The work will be presented in the former «Kino Sternen» in Zurich-Oerlikon, which will open as the new «Oper im Quartier» venue starting in the 2026/27 season.

Werckmeister Harmonies

Jules Massanet’s «Werther», based on Goethe’s famous Sturm und Drang novel, is a poignant opera rife with emotion. The music subtly depicts the tense triangle of relationships between a love-sick young Werther, his darling Charlotte, and her staid fiancé Albert. Werther refuses to accept a life without dreams and finally – when faced with his unrequited love – takes his own life. Jonathan Tetlman, of the most successful of the new generation of tenors, makes his debut at the Opernhaus Zürich.

Opera events in Zürich

The Bat

Opernhaus Zürich

Hansel and Gretel

Opernhaus Zürich

The strength of destiny

Opernhaus Zürich

Rigoletto

Opernhaus Zürich

The Artelize Podcast and ...

Artelize

The Artelize Podcast - A ...

Artelize

The Artelize Podcast: A l...

Artelize

The Artelize Podcast and ...

Artelize

Madama Butterfly

Opernhaus Zürich

Carmen

Opernhaus Zürich

The Marriage of Figaro

Opernhaus Zürich

Cardillac

Opernhaus Zürich

Monster's Paradise

Opernhaus Zürich

Julius Caesar in Egypt

Opernhaus Zürich

Acis, Galatea and Polyphe...

Opernhaus Zürich

Scylla and Glaucus

Opernhaus Zürich

Arabella

Opernhaus Zürich

The clemency of Titus

Opernhaus Zürich

Gianni Schicchi

Opernhaus Zürich

Fidelio

Opernhaus Zürich

The Damnation of Faust

Opernhaus Zürich

A Masked Ball

Opernhaus Zürich

Werckmeister Harmonies

Opernhaus Zürich

Werther

Opernhaus Zürich