A rewrite of the novel  Un homme et son péché  by Claude-Henri Grignon, the play takes a new look at the original work by attempting to unfold the mechanisms of violence present between Donalda and Séraphin. Having become a ghost, Donalda retraces the traces of her relationship with Séraphin, while the latter busies himself enjoying his possessions, which gradually lead him to his downfall. As Donalda gradually seizes the power she never had during her lifetime, she pushes us to question the limits of forgiveness and the place of power in love.

EPSG:4326

A Little Guide to Emancipation for a Fallen Machine or How to Own Without Going Broke

Les 2 Mondes Theater

This session, as part of the “Public Workshop” course, the Incontenables (the 2nd year student cohort in play) present Life and Death of the Boiteux King , a production directed by Isabelle Leblanc. This is the first public performance taking place within the bachelor’s degree in play.

Life and Death of the Lame King

University of Quebec in Montreal

On stage, eight performers embody characters, all created at different times by Jasmine Dubé. Sometimes speaking directly to the audience, they rub shoulders in a fearless and playful back-and-forth and question the power relations between adults and children, raising family, political, and even… global issues along the way! With kindness and humor,  Jardins d'enfances  highlights the sensitivity of young people, their need to be listened to, loved, and their great desire for independence. 

Childhood Kindergarten

Maison Théâtre

Through an assembly of singular tableaux, Pommerat presents characters who are sometimes in love, sometimes betrayed. Passing bodies that undergo the indelible marks of love, which provoke altered states and blur the fine line between dream and reality. In a corridor of possibilities, situations follow one another and make this space a non-place. It is thanks to this mesh that the author allows doubt to hover over the characters' deep motivations or even over the emotions that truly inhabit them.

The Reunification of the Two Koreas

UQAM Higher School of Theatre

Podcast link: https://youtu.be/4hagYvrYbuM

The Artelize Podcast and Kasper Holten - Pedefining Opera for the modern world

Podcast link: https://www.youtube.com/watch?v=d36M5Hi6O80

The Artelize Podcast - A legacy of innovation in Opera: Celebrating Marc A. Scorca

Podcast link: https://www.youtube.com/watch?v=59E40S_EQSY

The Artelize Podcast: A love letter that was never sent

Podcast link: https://www.youtube.com/watch?v=THv6htilWtI

The Artelize Podcast and Adolfo Corrado: Mediterranean flavors, opera and social media

He almost called himself Michelin, but his name is Michel-Maxime. From the family farm to the theatre stages, there is a gap that the man decided to cross, not without fear or self-mockery. Here he recounts the pivotal experiences of his life, from the countryside to St-Polycarpe, his colorful clan and his caring parents, to the feeling of knowing he is apart from others. An ode to belonging and difference, when rurality meets hypersensitivity.

Michelin

Théâtre Denise-Pelletier

Donkey Skin runs through the forest. What is she running away from? Who is she? In the middle of the darkness, a car wash lights up. It is the kingdom of her childhood. Her mother dies and, to escape her father's lustful gaze, Donkey Skin demands dresses that are unique in the world, as well as the sacrifice of her donkey, to which he resigns himself. She then flees to her Godmother, who subjects her to a series of trials and emancipatory rituals.

Donkey Skin

Year 2122. Oil has been gone since time immemorial. Only a handful of centenarians still remember the smell of gasoline and pool noodles disintegrating in the sun. Apparently vanished from the surface, plastic is nevertheless sought after by a few zealots, who believe that this material holds the secret to eternal life. Could the plastic continent be just another legend?

Plastic (2024)

It was through the unusual line "Do you like ice cream, duck?" that the novelist Simon Roy, at the age of 10, discovered The Shining , Stanley Kubrick's famous film adapted from a novel by Stephen King, in which an aspiring writer becomes the caretaker of an inhospitable hotel. The work became obsessive to him, among other things because it allowed him to absorb the turmoil of his own genealogy, which he claims is macabre. Kubrick's My Red Life , in an astonishing mise en abyme, redraws new lines of meaning.

My Life Red Kubrick

There is no wind. In the bay of Aulis, ships loaded with thousands of soldiers await the signal to leave. Because without wind, it is impossible to set sail. Helen has been kidnapped. But the Greeks cry for vengeance, but the war, like time, is suspended. The oracles then summon King Agamemnon to sacrifice his daughter Iphigenia if he wants the sails to fill. But since he does not want to give up power, Iphigenia resolves to advance towards death. However, her mother Clytemnestra stands up with all her strength against her husband's crime so that Iphigenia may live and the curse may finally cease to fall on the Atrides family.

Iphigenia

Jeanne vandalizes ads. Olivier dreams that his generation will be burned like a marshmallow. The state of the world weighs heavily on the two teenagers. But then a school election is organized as part of the "Week of the Future". Catalyzed by the hope that they can change things, Jeanne and Olivier face off in an election campaign filled with fiery speeches, collusion, ninja expeditions and damn unicorns.

The Weight of the Ants (2024)

	
In the form of a complex video and audio arrangement, this laboratory is a sensory representation of a descent into the depths of anxiety, depression, and an exploration of the border with suicide through the eyes of those who love us. In the surrounding darkness, indescribable forms mingle with people. However, a ray of light pierces the shadows, their pallid skin, their dark circles, and their tracksuits clinging to their bodies. An overwhelming silence, like an unbearable pressure vibrating the eardrums; drowning a little more each day; a beached whale.

Vivances

Centre du Théâtre d’Aujourd’hui

	
Three characters get lost in an unnamed city, drifting amidst anxieties and uncertainties in their nocturnal wandering. In the exploratory phase of this new piece which conjures the ambiance of an existential thriller, the artists delve into disorientation through the spatialization of sound. Influenced by the author's transgender identity, the project explores existential themes, causing identity to oscillate in a ballet of unsettling images and fleeting déjà-vus.

Exterior/night

This personal and universal piece tells the story of a family, of decaying flesh and profound inner peace. Catherine dives into this performance to share a transformative and profound experience as she confronts death, gazes upon it calmly, and transcends existential anguish. BDSM is approached here as a realm of calm, vulnerability and safety

Play events in Montreal, QC

A Little Guide to Emancip...

UQAM Higher School of Theatre

Life and Death of the Lam...

UQAM Higher School of Theatre

Childhood Kindergarten

UQAM Higher School of Theatre

The Reunification of the ...

UQAM Higher School of Theatre

The Artelize Podcast and ...

Artelize

The Artelize Podcast - A ...

Artelize

The Artelize Podcast: A l...

Artelize

The Artelize Podcast and ...

Artelize

Michelin

Théâtre Denise-Pelletier

Donkey Skin

Théâtre Denise-Pelletier

Plastic (2024)

Théâtre Denise-Pelletier

My Life Red Kubrick

Théâtre Denise-Pelletier

Iphigenia

Théâtre Denise-Pelletier

The Weight of the Ants (2...

Théâtre Denise-Pelletier

Vivances

OFFTA

Exterior/night

OFFTA

Screaming like a Madelain...

OFFTA