Titles like Oh Little Town of Bethlehem | Mary through a thorn forest went | La Virgen Se Esta Peinando | A rose has sprung up | Entre le Boeuf et l'Ane Gris and many other Christmas carols from around the world

CLASSICS AT 11 Christmas with Quadro Nuevo

Meistersinger Hall

EPSG:4326

Guest Concert

Tourist, Congress and Saalbau GmbH

Meistersingerhalle

The Worms Theatre

CONCERT CHOIR LGV NUREMBERG Bernstein & Gershwin

The New Year is entering in high spirits and in the best of spirits – a very special one for the Nuremberg Symphony Orchestra: June 1, 2026, marks the 80th anniversary of their founding. Over the decades, they have opened up the entire cosmos of great music to their audiences. The New Year's Concert offers something for everyone: the folkloric, the exhilarating, the romantic, the virtuosic. In the overture to his successful operetta The Merry Widow, Franz Lehár ignites a sparkling firework display of immortal hits. Keywords: Da geh' ich ins Maxim, Vilja-Lied, Ja, das Studium der Weiber (Yes, the Study of Women)… A top-class symphonic concertante piece is also on the program: the dazzling and joyful A minor Cello Concerto by the all-round genius Camille Saint-Saëns. Also appearing with us for the first time is the versatile and virtuoso cellist Bryan Cheng from Canada, a recipient of top competition awards. He's also the soloist in a romantic mood piece by Tchaikovsky. But don't worry: it won't stay too quiet! Happy New Year!

New Year's Concert With The Symphonics

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The Artelize Podcast and Kasper Holten - Pedefining Opera for the modern world

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Mikhail Glinka is considered the first composer to strive to make uniquely Russian music. However, the overture to his most well-known opera Ruslan and Ludmila owes much to Western European tradition. It thus anticipates the works of Tchaikovsky, who was often derided in Russia as a "Westerner". After his 5th Symphony was performed in the last season, his 6th, "Pathétique," is now in the programme. His last work sounds at many points like an alternatingly angry and melancholic goodbye to the world. Prokofiev's violin concerto also seeks out a "new simplicity," much like all his earlier works, and a reconciliation of modernity and musical tradition.

Tschai­kow­sky – Pro­kof­jew - Glinka

Dvořák is the favorite composer of many classical music fans and orchestras alike. His music plays well – and is pleasant to listen to. It is often lighthearted, comfortable, and full of life. The Czech national classic is represented twice in our concert – with two concert overtures, one of which poetically captures rural moods and views, the other sparklingly immerses itself in a turbulent carnival festivities. Brahms' profound A minor concerto, the so-called "Double Concerto," features two soloists – a work tailor-made for our brotherly soloist duo of Claudio and Oscar Bohórquez. The two also plays a role in Schubert's Symphony in B minor. It consists of two movements, not four like a conventional symphony, which is why it is nicknamed the Unfinished . Nevertheless, it is a complete masterpiece. It moves forward with double the force.

Schubert, Dvorak, Brahms

She was a fellow student of Debussy, admired by Saint-Saëns, and encouraged by the publisher Alphonse Leduc to create ever new works: Mélanie Bonis, a French composer who fell into obscurity after her death in 1937. Her impressionistic atmospheric picture Le Songe de Cléopâtre (The Dream of Cleopatra) from 1909 is beguilingly beautiful in its sophisticated orchestration and intoxicatingly sensual in its sound. A real discovery! The organ concerto by the contemporary Swiss composer Valentin Villard, written exactly one hundred years later, is also sonicly fascinating: it begins shimmering and undulating and ends with a rushing apotheosis. All of this is exactly the right thing for the dazzling star organist Anna Lapwood, who, to top it all off, also presents a French classic: the monumental organ symphony by Saint-Saëns. At her side: David Reiland from Belgium, head of the Orchestre National de Lorraine and the Sinfonietta Lausanne.

Organ Symphony With Anna Lapwood

Music to dream of faraway places! Our program takes you into the vibrant, richly colored, and unfathomable world of the Orient, as great composers of the past have timelessly captured it musically – as a magical, exotic realm full of beauty and irresistible temptations. Right in the overture to his opera The Abduction from the Seraglio, Mozart trumps it with a blaring "Alla Turca." Abduction? Seduction! Rimsky-Korsakov's Symphonic Suite Scheherazade , named after the beautiful princess and seductive narrator of the oriental tales from One Thousand and One Nights , is enchantingly magical . And the Orient also resonates in Rachmaninoff's hit Piano Concerto in C minor – in a theme that evidently fascinated Miklos Rózsa while he was working on his film score for Ben-Hur . The soloist is Russian pianist Dmitry Masleev, who thrilled the symphony audience in October 2023. Eduard Topchyan, conductor of the Armenian Philharmonic Orchestra, will conduct.

Rachmaninov And Scheherazade

At the peak of his prolificacy, Richard Strauss composed his Alpine symphony. This tone poem, which explores the individual stages of a hike, is based on memories from his childhood in Munich's nearby mountains. Using a huge orchestra, Strauss depicts both the forces of nature and the human experience of this nature. The progression from sunrise to sunset is also a metaphor for a human life. In his early work Verklärte Nacht, based on a poem by Richard Dehmel, Arnold Schönberg tells the story of a woman who confesses to her lover that she expects such a human life.

Strauss – Schön­berg

Two chairs, two guitars, and two microphones – that's all guitarists Jan Pascal and Alexander Kilian need to touch hearts, enchant them, sweep them off their feet, and, transcending all boundaries, unleash a diverse range of emotions. Café del Mundo plays a unique sound. From the very first note, their finely tuned guitars exude that southern joie de vivre that celebrates life while simultaneously mo

Café del Mundo GuitaRevolution Symphonic feat. Neue Philharmonie Frankfurt

Admiralspalast

Metropol Theater Bremen

Palace of Culture

Theater am Marientor

Tonhalle Düsseldorf

Alte Oper

Congress Center Hamburg

Festhalle Harmonie, Theodor Heuss Hall

Haus Auensee

EmslandArena, Lingen

Gasteig HP8

Beethoven Hall (Beethovensaal)

. He is an internationally celebrated grand seigneur of the conductor's baton, a universally respected veteran conductor: Thomas Sanderling, born in 1942 in Novosibirsk. In 2017, he became head of the city's symphony orchestra, but resigned in 2022 in protest against Putin's invasion of Ukraine. In our Russian program, he conducts the overture to Borodin's national opera Prince Igor , the rarely heard Tchaikovsky Piano Concerto No. 2 – with the Chinese-Canadian star pianist Sheng Cai as soloist – and Shostakovich's Symphony No. 9, with whom Sanderling was friends. The work is a bold, even cheeky surprise package. After the victorious end of the Great Patriotic War in 1945, the officials in the USSR, especially Stalin, were expecting a monumental socialist "Super-Ninth"—with soloists, choir, and large orchestra modeled on Beethoven's "Ninth." But instead, Shostakovich composed a witty, sparkling neoclassical symphony, imbued with the spirit of Haydn and simply declaring: "Hurrah, the war is over!"

Borodin, Tchaikovsky, Shostakovich

Swedish conductor Tobias Ringborg brings two northern European composers to Nuremberg: Wilhelm Stenhammar and Jean Sibelius were contemporaries, and the somewhat younger Stenhammar was heavily influenced by Sibelius in his later years. Yet in his 2nd Piano Concerto, Stenhammar is more in line with the tradition of German Late Romanticism and creates a simultaneously virtuosic and forceful work. Sibelius' 2nd Symphony was created a few years prior and, with its catchy themes, moving rhythms and full orchestral sound, became one of the most popular pieces of Finnish music in the world.

Si­be­li­us - Sten­ham­mar

It was perhaps the first oratorio concert and also the first classical open-air concert in post-war Germany. Almost a year before their official founding, on July 29, 1945, the Nuremberg Symphony Orchestra, under the name Konzertgesellschaft, performed Haydn's oratorio The Creation with the Nuremberg Teachers' Choir (LGV) in the ruins of St. Sebaldus Church, which was missing its roof and spires. The vocal soloists came from the opera house, and the conductor was Karl Demmer, then head of the LGV. It was like a dawn from darkness into light. In commemoration of this legendary event, The Creation is on the program of our double concert in March 2026. Also performing: a top-class solo ensemble and the Nuremberg Concert Choirs. Chief Conductor Jonathan Darlington will be conducting.

80 Years Of Nsym: Haydn's Creation

A musical journey full of memories: The overture from The Magic Flute opens festively and energetically, followed by the passionate first movement of Schumann's Piano Concerto in A minor – with Chiaya Kakutani at the piano. The famous Adagio from Mozart's C major Concerto touches with its timeless beauty and inner peace. The Nutcracker Suite evokes childhood and Christmas, Humperdinck's Hansel and Gretel bridges the gap to the world of fairy tales, before the rousing potpourri from the musical Im weißen Rössl (The White Horse Inn) sets a cheerful mood. Susanne Hoch, with Leonhard Kreutzmann conducting the program with heart and sensitivity.

Concert For People With Dementia, Relatives And Everyone

Small Meistersinger Hall

Hans Sachs Choir Nuremberg

Guest In The Meistersingerhalle Harry Potter And The Chamber Of Secrets

Perhaps one day you'll proudly tell your children: "Back then, in the spring of 2026, I heard him with the Nuremberg Symphony Orchestra! He was still very young, just at the beginning of his career!" Jaeden Izik-Dzurko, born in 1999, is a Canadian pianist with European roots—to some, he's the new Lang Lang. In recent years, he's collected first prizes in piano competitions like other people collect postage stamps, most recently at the prestigious Leeds International Competition. He's celebrated everywhere—for his outstanding technique, for his charisma, for the depth of his interpretations. Simply incredible! Here, he'll play Liszt's strikingly virtuosic First Piano Concerto, flanked by Tchaikovsky's Pathétique and the Silk Road Fantasy by contemporary Chinese composer Jiping Zhao, famous for his many film scores. Guoyong Zhang, Music Director of the Shanghai Opera and Chief Conductor of the Qingdao Symphony Orchestra, conducts.

Liszt Piano Concerto And The Pathétique

A composer of our time, Detlev Glanert, meets an icon of Classical music, Johannes Brahms. Glanert answers Brahms’ highly complex, dense, headstrong last symphony with a piece that he casually titles “Music with Brahms.” In this wildly dynamic orchestral piece, he reveals himself to be the successor to the great Romantic composer. The contradictions between gods and people are the theme of the poems Nänie by Friedrich Schiller and Schicksalslied by Friedrich Hölderlin, which Brahms put to choir and orchestra. His Romantic musical language proves to be the keeper of Classical-humanist tradition.

Brahms - Gla­nert

John Williams's score for Star Wars is universally known, especially the main title. However, not many are aware that this soundtrack has a model, indeed, that it would be almost unthinkable without it. John Williams drew heavily on it. It is Gustav Holst's suite " The Planets ," the most colossal space music of all time, which we supplement with original space images from NASA and ETA. In our program, it is evocatively paired with a symphony by the German-British contemporary of Haydn, William Herschel, who, in addition to being a hobby composer, was one of the most important astronomers of his time: in 1781, he discovered the planet Uranus , and in 1789, he constructed a telescope of previously unknown dimensions. The concert highlight between the symphonic planetariums: the sparkling percussion concerto by the American composer and multi-percussionist Andy Akiho. The soloist is Jacob Nissly, principal timpanist and percussionist of the San Francisco Symphony Orchestra. At the podium is fellow American Tito Munoz, chief conductor of the Phoenix Symphony.

Holsts Planets And Drum Concert

Do you love Brahms? Ever since the film of the same name starring Ingrid Bergmann, Yves Montand, and Anthony Perkins first flickered across screens in the 1960s, the world melts away when the Poco Allegretto from Johannes Brahms' Symphony No. 3 sounds. It is music of truly agonizing beauty and intensity—made of pure love and longing, melancholy and renunciation. José Carreras sang the words " Close to me" to it , and in a semi-symphonic, light music arrangement, it became the Symphony of Love . For Clara Schumann, the wife of Robert Schumann—Brahms's great mentor and friend, but also their rival in the struggle for Clara's love—this music was like "a gray pearl, surrounded by a tear of melancholy." Schumann's profound, only violin concerto dates from this difficult, final period in his life. It's rarely heard, and few have it in their repertoire. Our soloist does: Baiba Skride, Latvian star violinist, who has toured the world with the elite conductors and orchestras for years and first appeared with us in 2004.

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